| Weight |
| Without batteries & media |
360g / 12.7oz |
| With batteries & media |
- |
| Dimensions (W x H x D mm) |
151 x 91.5 x 31mm |
| Construction |
Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points |
1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power |
|
| Operating power |
10 - 19W |
| Compatible batteries |
NP-F series and supporting accessories |
| Input voltage (battery) |
6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) |
5200mAh - up to 2hrs (monitor & record 4K +60p) |
|
7800mAh - up to 3hrs (monitor & record 4K 60p) |
| DC In |
|
Continuous power
* Patent pending |
Continuous power with external adaptor* |
| Touchscreen |
| Size |
5” |
| Resolution |
1920 x 1080 |
| PPI |
427 |
| Aspect ratio |
16:9 native |
| Color Gamut |
REC709 HDTV |
| Look up table (LUT) support |
3D LUT (.cube format) |
| Anamorphic de-squeeze |
2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology |
SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit |
| HDR |
| AtomHDR |
Yes |
| Supported Log formats |
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog,
Nikon N-Log |
| HDR Recording (Gamut) |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG, Nikon N-Log |
| HDR Monitoring (Gamma) |
Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) |
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth |
10-bit (8+2 FRC) |
| Brightness |
1000nit (+/- 10% @ center) |
HDR input (PQ/HLG)
HDR output (PQ/HLG) |
Yes / Yes
Yes / Yes |
| Video Input/Loop Out |
| HDMI |
1 x HDMI (2.0) |
| SDI |
- |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(camera dependent) |
| Video Output (Play Out) |
| HDMI |
1 x HDMI (2.0) |
| SDI |
- |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(playback file dependent) |
| Supported Loop Out Formats |
| HDMI to HDMI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60 |
| SDI to SDI |
- |
| Video Signal Conversion |
| HDMI to SDI |
- |
| SDI to HDMI |
- |
| AtomX Expansion Port - Video, Audio & Power In/Out |
| Video |
Up to 4Kp60 |
| Audio |
12 channels digital 24-bit 96KHz |
| Power |
5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) |
Video to
ProRes / DNxHR
(DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p |
| Onboard Processing |
|
| Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring |
Yes - Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) |
| HDMI |
2 or 8ch 24-bit, camera dependent |
| SDI |
- |
| Audio |
Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out |
3.5mm |
| Remote Start/Stop |
| HDMI |
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI |
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